This piece consumed me from start to finish. As soon as I saw the photograph I knew I had to capture the beauty and grace of these two incredible birds.
The intensity of the blues against the sharp contrast of that iridescent orange makes this painting literally jump off the paper. Words cannot describe what a joy it was to create one of my most magical paintings in my portfolio.
This Giclée print has been produced using Epson's 8 colour archival UltraChrome K3 pigment inks renowned for their superb lightfastness and printed onto the finest quality digital fine art paper from Hahnemuhle. This particular print was produced on: William Turner 310gsm 100% cotton paper.
To help increase the longevity of prints, please note the following GUIDELINES:
- Do not display in direct sunlight or strong artificial light
- Always display the print behind glass. This offers surface protection against both the environment and ultraviolet light
- Avoid temperature and humidity variations.
- Ensure that only acid-free materials, such as mounts, tapes, etc, come into direct contact with the print and never touch the print surface with bare fingers
- When framing, do not secure permanently, but use 2 acid-free' hinges' at the top to secure the print in place
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This piece consumed me from start to finish. As soon as I saw the photograph I knew I had to capture the beauty and grace of these two incredible birds.
The intensity of the blues against the sharp contrast of that iridescent orange makes this painting literally jump off the paper. Words cannot describe what a joy it was to create one of my most magical paintings in my portfolio.
This Giclée print has been produced using Epson's 8 colour archival UltraChrome K3 pigment inks renowned for their superb lightfastness and printed onto the finest quality digital fine art paper from Hahnemuhle. This particular print was produced on: William Turner 310gsm 100% cotton paper.
To help increase the longevity of prints, please note the following GUIDELINES:
- Do not display in direct sunlight or strong artificial light
- Always display the print behind glass. This offers surface protection against both the environment and ultraviolet light
- Avoid temperature and humidity variations.
- Ensure that only acid-free materials, such as mounts, tapes, etc, come into direct contact with the print and never touch the print surface with bare fingers
- When framing, do not secure permanently, but use 2 acid-free' hinges' at the top to secure the print in place